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a light and meditative presence rather than a realistic landscape element
the hanasakura
Ryūkatei Tanekazu in the spring of 1851 writes:
is a symbol of rebirth
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 7, 1834 vasi a light and meditative presenceExcellent impression with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japan paper, in excellent condition, with original untrimmed margins beyond the borderline. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
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